Works in English Translation
- The Man Who Sold Braces (Gibusu o uru hito, ギブスを売る人, 1998); translated by Shibata Motoyuki, Manoa, 13.1, 2001.
- Transit (Toranjitto, トランジット, 1996); translated by Alisa Freedman, Japanese Art: The Scholarship and Legacy of Chino Kaori, special issue of Review of Japanese Culture and Society, vol. XV (Center for Inter-Cultural Studies and Education, Josai University, December 2003): 114-125. ISSN 0913-4700
- The Cafeteria in the Evening and a Pool in the Rain (Yūgure no kyūshoku shitsu to ame no pūru, 夕暮れの給食室と雨のプール, 1991); translated by Stephen Snyder, The New Yorker, 9/2004. read
- Pregnancy Diary (Ninshin karendā, 妊娠カレンダー, 1991); translated by Stephen Snyder, The New Yorker, 12/2005. read
- The Diving Pool: Three Novellas (Daibingu puru, ダイヴィング・プール, 1990; Ninshin karendā, 妊娠カレンダー, 1991; Dormitory, ドミトリイ, 1991); translated by Stephen Snyder, New York: Picador, 2008. ISBN 0-312-42683-6
- The Housekeeper and the Professor (Hakase no ai shita sūshiki, 博士の愛した数式, 2003); translated by Stephen Snyder, New York : Picador, 2008. ISBN 0-312-42780-8
- Hotel Iris (Hoteru Airisu, ホテル・アイリス, 1996)
- Revenge, Translated by Stephen Snyder, Picador, 2013
Read more about this topic: Yoko Ogawa
Famous quotes containing the words works, english and/or translation:
“I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
—Henry David Thoreau (1817–1862)
“The apparent rulers of the English nation are like the imposing personages of a splendid procession: it is by them the mob are influenced; it is they whom the spectators cheer. The real rulers are secreted in second-rate carriages; no one cares for them or asks after them, but they are obeyed implicitly and unconsciously by reason of the splendour of those who eclipsed and preceded them.”
—Walter Bagehot (1826–1877)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)