Origin of Hand Movement and Dance
YMCA is also the name of a group dance with cheerleader Y-M-C-A choreography invented to fit the song. One of the phases involves moving arms to form the letters Y-M-C-A as they are sung in the chorus:
- Y —arms outstretched and raised upwards
- M —made by bending the elbows from the 'Y' pose so the fingertips meet over the chest
- C —arms extended to the left
- A —hands held together above head
The dance originated on Dick Clark's American Bandstand. During the January 6, 1979 episode, which featured the Village People as guests throughout the hour, the dance was performed by audience members while the group performed "YMCA." Clark then said to Willis that he would like to show him something. Clark again played the song with the audience doing the YMCA hand gestures. Willis immediately picked up on the dance and mimicked the hand movements back at the audience as other Village People members stared at him with puzzled looks. Clark then turned to Willis and said, "Victor, think you can work this dance into your routine?" Willis responded, "I think we're gonna have to."
At the original Yankee Stadium, the grounds crew traditionally took a break from grooming the infield after the sixth inning to lead the crowd in the dance; this tradition has been carried over to the current Yankee Stadium. In July 2008, Village People performed "Y.M.C.A." with the Yankees grounds crew at the last MLB All-Star Game held at the old Yankee Stadium. Similarly at the Sapporo Dome, during Hokkaido Nippon-Ham Fighters baseball games, "Y.M.C.A." is enthusiastically enjoyed by the crowd and ground staff during the fifth inning stretch.
Read more about this topic: Y.M.C.A. (song)
Famous quotes containing the words origin of, origin, hand, movement and/or dance:
“The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.”
—Charles Sanders Peirce (1839–1914)
“All good poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity.”
—William Wordsworth (1770–1850)
“The LORD brought us out of Egypt with a mighty hand and an outstretched arm, with a terrifying display of power, and with signs and wonders; and he brought us into this place and gave us this land, a land flowing with milk and honey.”
—Bible: Hebrew, Deuteronomy 26:8.
“What stunned me was the regular assertion that feminists were “anti-family.” . . . It was motherhood that got me into the movement in the first place. I became an activist after recognizing how excruciatingly personal the political was to me and my sons. It was the women’s movement that put self-esteem back into “just a housewife,” rescuing our intelligence from the junk pile of “instinct” and making it human, deliberate, powerful.”
—Mary Kay Blakely (20th century)
“They dance with reluctance, they are growing civilized; the old men
persuade them.”
—Robinson Jeffers (1887–1962)