Yinka Shonibare - Life and Career

Life and Career

Yinka Shonibare was born in London in 1962. His family moved to Lagos, Nigeria, when he was three years old. At 16, he returned to Britain to do his A-levels. Shonibare contracted transverse myelitis, an inflammation across the spinal cord, at the age of eighteen, which resulted in a long term physical disability where one side of his body is paralysed. Shonibare studied Fine Art, first at Byam Shaw College of Art (1984-1989) and then at Goldsmiths, University of London (1989-1991), where he received his MFA. He then worked as an arts development officer for Shape Arts, an organisation which makes arts accessible to disabled people. In 1990 his son Kayode Shonibare-Lewis was born, now an indie game developer and 3D artist.

He has exhibited at the Venice Biennial and at leading museums worldwide. He was notably commissioned by Okwui Enwezor at documenta XI in 2002 to create his most recognised work Gallantry and Criminal Conversation that launched him on an international stage.

In 2004, he was shortlisted for the Turner Prize for his Double Dutch exhibition at the Museum Boijmans van Beuningen in Rotterdam and for his solo show at the Stephen Friedman Gallery, London. Of the four nominees, he seemed to be the most popular with the general public that year. A BBC website poll, resulted in 64% of voters stating that his work was their favourite.

Shonibare became an Honorary Fellow of Goldsmiths' College in 2003, was awarded an MBE in 2004, and received an Honorary Doctorate (Fine Artist) of the Royal College of Art in 2010. He joined Iniva's Board of trustees in 2009.

Read more about this topic:  Yinka Shonibare

Famous quotes containing the words life and/or career:

    I had this advantage, at least, in my mode of life, over those who were obliged to look abroad for amusement, to society and the theatre, that my life itself was become my amusement and never ceased to be novel. It was a drama of many scenes and without an end.
    Henry David Thoreau (1817–1862)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)