Reception
The series gained high audience figures, and 90+ on the audience Appreciation Index. Critics, such as Andrew Davies in the Times Educational Supplement and Armando Iannucci, have noted that the show had high expectations of audience. Lynn posits that the public are more intelligent than most situation comedies, often patronising, give them credit for. Jay believes that the viewers were just as intelligent as the writers, but that there were some things that they needed to know but didn't.
Yes Minister won the BAFTA award for Best Comedy Series for 1980, 1981 and 1982, and the "Party Games" special was nominated in the Best Light Entertainment Programme category for 1984. Yes, Prime Minister was short-listed for Best Comedy Series for both 1986 and 1987. Nigel Hawthorne's portrayal of Sir Humphrey Appleby won the BAFTA Award for Best Light Entertainment Performance four times (in 1981, 1982, 1986 and 1987). Eddington was also nominated on all four occasions. Nigel Hawthorne was awarded Best Actor in Light Entertainment Programme at the 1981 Broadcasting Press Guild Awards. Yes Minister came sixth in a 2004 BBC poll to find 'Britain's Best Sitcom'. In a list of the 100 Greatest British Television Programmes drawn up by the British Film Institute in 2000, voted by industry professionals, Yes Minister and Yes, Prime Minister were jointly placed ninth. They were also placed 14th in Channel 4's The Ultimate Sitcom, a poll conducted by people who work in sitcoms.
The series have been cited by political scientists for their accurate and sophisticated portrayal of the relationships between civil servants and politicians, and are quoted in some textbooks on British politics. The series was highly rated by critics and politicians. The shows were very popular in government circles. The Guinness Television Encyclopedia suggests that "real politicians ... enjoyed the show's cynical dismissal of Whitehall intrigue and its insights into the machinations of government." Lord Donoughue, an admirer of the series who was head of James Callaghan's policy unit at 10 Downing Street from 1976 to 1979, noticed that, when the Labour Party returned to power in 1997 after 18 years in opposition, a number of junior Ministers took so seriously the relationships with civil servants as depicted by Jay and Lynn that they were unduly wary of senior officials and allowed this suspicion to influence their behaviour.
Yes Minister and Yes Prime Minister were the favourite programme of then Prime Minister, Margaret Thatcher. She told The Daily Telegraph that "its clearly-observed portrayal of what goes on in the corridors of power has given me hours of pure joy." Gerald Kaufman described it as "The Rt Hon. Faust MP, constantly beset by the wiles of Sir Mephistopheles." As a supporter of Thatcher, Jay embraced her appreciation, although the more leftist Lynn was concerned.
Thatcher performed a short sketch with Eddington and Hawthorne on 20 January 1984 at a ceremony where the writers were presented with an award from Mary Whitehouse's NVLA, an event commemorated on the cover of the satirical magazine Private Eye. Authorship of the sketch is unclear. In Britain's Best Sitcom, Bernard Ingham says that he wrote it; other sources give Thatcher sole credit, while Michael Cockerell says that she wrote it with Ingham's help. Another source gives renegade credit to Charles Powell. The actors, who were both starring in separate West End plays at the time, were not enthusiastic at the idea and asked Lynn to "get them out" of it. The writer, however, was not in a position to help. Hawthorne says he and Eddington resented Thatcher's attempts to "make capital" from their popularity. Ingham says that it "went down a bomb", while Lynn brands it a "dreadful sketch" that was only funny because Thatcher was doing it. Accepting the award from the NVLA, Lynn thanked Thatcher "for taking her rightful place in the field of situation comedy." Everyone, except the Prime Minister, laughed.
When Paul Eddington visited Australia during the 1980s, he was treated as a visiting British PM by the then Australian leader, Bob Hawke, who was obviously a great fan of the show. At a rally, Hawke said "You don't want to be listening to me; you want to be listening to the real Prime Minister", forcing Eddington to improvise. In an interview to promote the first series of Yes, Prime Minister, Derek Fowlds said that "both political sides believe that it satirises their opponents, and civil servants love it because it depicts them as being more powerful than either. And of course, they love it because it's all so authentic." The series was well received in the United States, running on the A&E Network and repeatedly on public television.
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