Plot
Dileep (Kamal Haasan) is a successful businessman with a dark side. He preys on nubile girls; tortures and kills them. These proceedings are video-recorded and watched by his adoptive father and mentor, another deranged woman-hater who, as with Dileep, had a disillusioning experience with the female sex in his past. The old man stays holed up in a far corner of Dileep's mansion watching his son carry out what he is too infirm to do. The murdered girls are buried in Dileep's garden and a rosebush is grown above.
Dileep chances upon an undergarments salesgirl, Sarada (Sridevi), and develops an attraction for her. Sarada, a conservative woman, insists that Dileep must marry her if he wants to have his way with her. The romance proceeds, and appears to be Dileep's salvation before things begin to collapse for him. On his marriage day, Sarada stumbles upon a diary containing details of his deranged life and, and names of the girls he had killed scribbled on the walls of one of the rooms in his large house.
Sarada, meanwhile stumbles upon Dileep's father, whom Dileep had told her was retarded and was not to be disturbed, and gets the shock of her life. She somehow manages to shut him in and tries to run out but as she prepares to leave, Dileep returns. As Sarada tries to act normal while planning to escape, Dileep finds that his father has been locked in and when he saves his father, he realizes that Sarada knows the truth about his deeds. A tense chase ensues, which ends in a graveyard in the dead of night, with Dileep stumbling and falling on a cross which pierces him. In the ensuing chase, Dileep is caught by the police.
He is subsequently jailed but gets mentally retarded and loses his bloodthirsty ways. He keeps repeating Sarada's name, as it is his only coherent thought, and all other memories have been erased from his mind.
Read more about this topic: Yerra Gulabi
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“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
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why are they no help to me now
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—John Dryden (16311700)