Production
Yellowstone was commissioned by Roly Keating, then Controller of BBC Two, as a follow-up to the award-winning series Galápagos which aired in autumn 2006. Filming began in January 2007 and continued through the following four seasons. Filming techniques previously used for both Galapagos and Planet Earth were again put to good use, including shooting with high definition cameras and high-speed shooting to slow down fast action sequences. Stabilised camera mounts also enabled the team to capture natural animal behaviour from the air, as well as dramatic, wide angle landscape shots. Aerial cinematography was provided by Aerial Camera Systems.
Yellowstone was produced by the BBC Natural History Unit and Animal Planet. The executive producer was Mike Gunton and the series producer Andrew Murray. The British version was narrated by Peter Firth.
Read more about this topic: Yellowstone (BBC TV Series)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)