Production
Although never identified as Unity Mitford, the central character played by Neagle has some obvious similarities to the pro-Nazi British dilettante who had a great deal of notoriety in pre-war times. In production during 1943, while the United Kingdom was still fearful of Nazi spies, Yellow Canary was obviously made as wartime propaganda, with the aim not only of keeping up morale but also of warning the British public to be on their guard.
Yellow Canary co-stars Richard Greene and Margaret Rutherford went on to further success in other films. Rutherford was especially adept at scene-stealing in the film. Greene was in the armed forces at this time, and had interrupted his successful acting career to serve in the Second World War in the 27th Lancers, where he distinguished himself. After three months, he went to Sandhurst and was commissioned. He was promoted to captain in the 27th Lancers in May 1944. He was relieved from duty in 1942 to appear in the British propaganda films Flying Fortress and Unpublished Story. In 1943, Greene appeared in Yellow Canary while on furlough.
Although set aboard a ship in the early scenes, the majority of the principal photography for Yellow Canary took place at the massive lots at Denham Film Studios (D&P Studios), located near the village of Denham, Buckinghamshire. All of the location sequences of Halifax were strictly "B" roll, but did provide a realistic, "atmospheric" look at wartime conditions in the busy Canadian military and civilian port.
After production had wrapped, Neagle and Wilcox made their professional relationship a personal one as well when they married on 9 August 1943.
Read more about this topic: Yellow Canary (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)