Critical Acclaim
Amichai poetry in English appeared in the first issue of "Modern Poetry in translation" edited by Daniel Weissbort and Ted Hughes in 1965. In 1966 he appeared at the Spoleto poetry festival with Ezra Pound, W.H. Auden, Pablo Neruda and others. In 1968, he appeared at the London Poetry Festival. His first book in English, Selected Poems (1968), was translated by Assia Hughes, (Hughes' lover and mother to his daughter Shura). Referring to him as "the great Israeli poet," Jonathan Wilson wrote in The New York Times that he "is one of very few contemporary poets to have reached a broad cross-section without compromising his art. He was loved by his readers worldwide...perhaps only as the Russians loved their poets in the early part of the last century. It is not hard to see why. Amichai's poems are easy on the surface and yet profound: humorous, ironic and yet full of passion, secular but God-engaged, allusive but accessible, charged with metaphor and yet remarkably concrete. Most of all, they are, like the speaking persona in his Letter of Recommendation, full of love: Oh, touch me, touch me, you good woman! / This is not a scar you feel under my shirt. / It is a letter of recommendation, folded, / from my father: / 'He is still a good boy and full of love.' "
In the Times Literary Supplement, Ted Hughes wrote: "I've become more than ever convinced that Amichai is one of the biggest, most essential, most durable poetic voices of this past century – one of the most intimate, alive and human, wise, humorous, true, loving, inwardly free and resourceful, at home in every human situation. One of the real treasures."
Novelist Jonathan Safran Foer, who attended a reading by Amichai at Princeton University, said that Amichai had moved him. Foer's wife, author Nicole Krauss, said that her novel The History of Love was inspired by Amichai's poems.
Amichai's poetry has been translated into 40 languages.
Read more about this topic: Yehuda Amichai
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