Year of Wonders - Reception

Reception

Shaunagh O’Conner describes the novel as “quirky, stranger-than-fiction tales from history,” and praising its use of “fascinating details of life in the 1600s." Laura D. Shumar compared Year of Wonders to "Albert Camus's La Peste (1947; The Plague, 1948)." In an interview with the author, Noah Adams called it "heartbreaking." Shumar also stated that "Anna was not a person but a perfect character." Courier Mail agreed, saying, "we glimpse an independent modern woman than an unconvent 17th-century girl."

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    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
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    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
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    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
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