Bibliography
- Yayoi Kusama, Infinity Net: The Autobiography of Yayoi Kusama, 2011, English, Translated by Ralph McCarthy, University of Chicago Press, Chicago, Illinois, U.S.A., ISBN 978-0-226-46498-5.
- Jo Applin, "Resisting Infinity", Yayoi Kusama, exch. cat., Victoria Miro Gallery, London, 2008
- Izumi Nakajima, "Yayoi Kusama between Abstraction and Pathology". In: Griselda Pollock (ed.), Psychoanalysis and the Image. London: Routledge, 2006.
- "Collection of Print Works: Yayoi Kusama, 1974–2004", Japanese/English, Abe Corporation, Tokyo Japan.
- "Eternity-Modernity: Yayoi Kusama", 2005, English/Japanese, Bijutsu Shuppan-sha Ltd, Tokyo, Japan.
- "Manhattan Suicide Addict: Yayoi Kusama", 2005, French, Les Presses du Reel, Dijon, France.
- "Kusamatrix", 2004, English/Japanese, Kadokawa Shoten, Tokyo.
- "Yayoi Kusama Furniture by graf: decorative mode no.3", 2003, Seigensha Art Publishing, Inc, Kyoto, Japan.
- "Yayoi Kusama", 2003, German, Kunsthalle wien, Vienna, Austria.
- "Infinity Nets", 2002, Japanese, Sakuhinsha, Tokyo, Japan.
- "Yayoi Kusama", 2001, French, Les Press du Reel Janvier, Dijon, France.
- "Yayoi Kusama", 2000, English, Phaidon Press Ltd, London, UK.
- "Love Forever: Yayoi Kusama, 1958–1968", Los Angeles County Museum of Art 1998, Lynn Zelevansky, Laura Hoptman, Yayoi Kusama
- "Violet Obsession", 1998, English, Wandering Mind Books, Berkeley, California, U.S.A.
- "Hustlers Grotto", 1998, English, Wandering Mind Books, Berkeley, California, U.S.A.
- J. F. Rodenbeck, "Yayoi Kusama: Surface, Stitch, Skin". In: Catherine de Zegher (ed.), Inside the Visible. The Institute of Contemporary Art, Boston & MIT Press, 1996.
- "Yayoi Kusama Print Works", 1992, Abe Corporation, Tokyo, Japan.
- "Yayoi Kusama: Driving Image", 1986, Parco shuppan, Tokyo, Japan.
- "A Book of Poems and Paintings", 1977, Japan Edition Art, Tokyo, Japan.
- Judy B. Cutler, "Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama". In: Hirsh, Jennie, and Wallace, Isabelle D., eds. Contemporary Art and Classical Myth. Farnham: Ashgate, 2011.
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