Art Market
Kusama's work has performed strongly at auction: top prices for her work are for paintings from the late 1950s and early 1960s. As of 2012, her work has the highest turnover of any living woman artist. In November 2008, Christie’s New York sold a 1959 white "Infinity Net" painting formerly owned by Donald Judd, No. 2, for $5.1 million, then a record for a living female artist. In comparison, the highest price for a sculpture from her New York years is £72,500 ($147,687), fetched by the 1965 wool, pasta, paint and hanger assemblage Golden Macaroni Jacket at Sotheby’s London in October 2007. A 2006 acrylic on fiberglass-reinforced plastic pumpkin earned $264,000, the top price for one of her sculptures, also at Sotheby’s in 2007
In the 1960s, Beatrice Perry's Gres Gallery played an important role in establishing Kusama's career in the United States. Ota Fine Arts, Kusama’s longtime Tokyo dealer, has worked with the artist since the 1980s. Since 2007, Kusama is also represented by Gagosian Gallery and Victoria Miro Gallery; before moving to Gagosian, she had been with Robert Miller Gallery, New York.
Read more about this topic: Yayoi Kusama
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“The most important quality of art and its aim is illusion; emotion, which is often obtained by certain sacrifices of poetic detail, is something else entirely and of an inferior order.”
—Gustave Flaubert (1821–1880)
“I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruit, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.”
—Henry David Thoreau (1817–1862)