Career
After finishing second on Cycle 3 of America's Next Top Model, DaCosta went on to have a successful career. DaCosta only appeared once in the bottom two during the competition. She has appeared in advertisements for Garnier Fructis, Lincoln Townhouse, Oil of Olay, Radioshack, Seda, Sephora and Dr. Scholl's.
DaCosta began acting in 2005 after having a guest role on an episode of the television show Eve. She then starred opposite Rob Brown, Antonio Banderas and Alfre Woodard in the 2006 dance film Take the Lead. Dacosta had supporting roles in the independent films Honeydripper (2007) and The Messenger (2009).
She appeared on All My Children in 2008 as Cassandra Foster, the daughter of Angie Hubbard. According to an interview with All My Children's new head writer, Charles Pratt, Jr., DaCosta exited the role some time in August 2008, less than four months after joining the show, to join the cast of "The First Breeze of Summer" on Broadway. "The First Breeze of Summer" was presented from 2008–2009 by the historic Negro Ensemble Company.
In 2009 she portrayed Nico Slater, the daughter of Wilhelmina Slater on the 4th season of the ABC series, Ugly Betty.
DaCosta had a supporting role in the film The Kids Are All Right. The film premiered at the 2010 Sundance Film Festival, where distribution rights were purchased. In 2010 she also had a supporting role in the film Tron: Legacy. As these two films were highly promoted, she appeared in American Vogue, L'Officiel and on the cover of W.
Read more about this topic: Yaya Da Costa
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)