Present Urban Context
If one approaches the madras from the crossroads in the north, one hardly recognizes the old building. The madrasa is formally drowning in its environment of flashy signs and a misshapen cityscape. Even the madras building itself is wallpapered with tasteless signs that don’t allow a free glance at the monument. In addition it is very disappointing to see that most of the signs are completely unnecessary or could have been executed in a more decent way. Due to a rise of land of about two meters the building seems very low from a far point of view. The dual four-lane Vatan Caddesi without a real pedestrian crossing also complicates the access. The nowadays Halicilar Koskü Caddesi which would connect the Fenari Isa Mosque, the madrasa and the tombs completely lost its importance because it is dominated by new cross-cuts like the Vatan and Oguzhan Caddesi. Surrounding walls and entrances of the madrasa seem to have no orientation because the ancient layout of roads is not understandable any more. It is sad that the connection between the urban layout and the monument could not be preserved at the time the city of Istanbul tried to handle the rapidly increasing traffic.
Read more about this topic: Yavuz Sultan Selim Madras
Famous quotes containing the words present, urban and/or context:
“My mind to me a kingdom is;
Such present joys therein I find
That it excels all other bliss
That earth affords or grows by kind.
Though much I want which most would have,
Yet still my mind forbids to crave.”
—Sir Edward Dyer (c. 1540–1607)
“The gay world that flourished in the half-century between 1890 and the beginning of the Second World War, a highly visible, remarkably complex, and continually changing gay male world, took shape in New York City.... It is not supposed to have existed.”
—George Chauncey, U.S. educator, author. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940, p. 1, Basic Books (1994)
“The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.”
—Susan Sontag (b. 1933)