Yannick Noah - Music Career

Music Career

Yannick Noah

Noah performing at a concert in 2011
Background information
Born (1960-05-18) 18 May 1960 (age 52)
Sedan, France
Genres Pop
Occupations Singer
Instruments Vocals
Years active 1991 – present
Website www.yannicknoah.com

Since retiring from playing tennis, Noah has developed a career as a popular singer, performing throughout Europe. He began his music career in 1991 with the album Black or What, featuring the popular track "Saga Africa" which he made the stadium sing with his players after the famous Davis Cup final win. In 1993, he released the album Urban Tribu with the successful single "Get On Back" followed by the album Zam Zam in 1998.

With the encouragement of his manager Jean-Pierre Weiller, his musical career got a great boost in 2000 with his self-titled 4th album Yannick Noah, written by Erick Benzi et Robert Goldman. The single "Simon Papa Tara" written by Robert Goldman. The album also contained songs from Bob Marley and the group Téléphone.

In October 2006, the album Charango was a major hit selling more than 1,150,00 copies culminating in a one-year tour for promoting the album. French radio played the singles "Donne-moi une vie" and "Aux arbres citoyens" extensively taken from the album.

In 2005, Noah performed at Bob Geldof's Live 8 concert, a fundraiser aimed at alleviating poverty in Africa.

On 21 July 2009, Noah made his U.S. live debut, headlining a concert in front of a packed house at the popular free outdoor performing arts festival in New York City, Central Park SummerStage. The performance was part of France's global music celebration Fête de la Musique.

In 2010, Yannick made a comeback with the release Frontières his 8th album, conatining the single "Angela", a tribute to Angela Davis. It also contained a duet with Asa in "Hello". On 25 September 2010, he was able to fill in Stade de France for an exceptional concert that was attended by close to 80,000 spectators.

Read more about this topic:  Yannick Noah

Famous quotes containing the words music and/or career:

    I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.
    Harper Lee (b. 1926)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)