Career
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In 1990, at the age of four, Yang acted in the historical television series Tang Ming Huang directed by Chen Jialin, playing the role of a young Princess Xianning. Two years later, she acted with Liu Xiao Ling Tong in the television series Hou Wa and won the 14th Flying Goddess Award and 12th Golden Eagle Award for Best Children's Television Series. After that, she focused on academics while working as a model for the magazine Duan Li. She also had a minor role as Beggar So's daughter in King of Beggars (1992), which starred Stephen Chow as the titular character.
In the late 2000s, Yang rose to fame for her roles in television series such as The Return of the Condor Heroes (2006) and Chinese Paladin 3 (2009). Her popularity increased after she starred as Luo Qingchuan in Palace (2011). Her increase in popularity from her performance in Palace helped land her a role in Painted Skin: The Resurrection, a sequel to Gordon Chan's 2008 film Painted Skin. In 2010 she participated in Empires of the Deep, a Chinese-American co-produced film with a budget of US$100 million.
In 2011, Mei Ah Entertainment announced that it will be producing four tailored-made films (Wu Dang, Chinese Princess Turandot, Windseeker, and Butterfly Cemetery) for Yang with a total investment of 300 million yuan for the four films due to the box office success of the horror film Mysterious Island (2011), which starred Yang.
In 2012, Yang stated that she will be producing for the first time in her career, and her project will be a Chinese version of the American television series Gossip Girl, with Chinese Girl as a possible working title.
Read more about this topic: Yang Mi
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows whats good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)