The Yale Series of Younger Poets Competition is an annual event of Yale University Press aiming to publish the first collection of a promising American poet. The contest was founded in 1919, and is the oldest annual literary award in the United States.
Each year the Press publishes one book-length manuscript by a United States citizen under the age of forty who has not previously published a book of poetry. The winner receives royalties upon publication of the book. All poems must be original, and only one manuscript may be entered at a time.
The contest solidified its importance in American literature under the judgeship of Stephen Vincent Benet. Benet was judge, 1933–1942, followed by Archibald MacLeish, 1944 - 1946. Margaret Walker's For My People was the last volume selected by Benet. Auden assumed the judgeship after MacLeish. The contest is regarded by some to have been at its height from 1947 to 1959, when W. H. Auden was choosing the winners. His then-young poets included Adrienne Rich, James Wright, W. S. Merwin, John Ashbery, and John Hollander. The period was also notable for the two-time refusal of Sylvia Plath's manuscript Two Lovers, and Colossus which was subsequently published in England. The 1969-1977 period, overseen by Stanley Kunitz, included volumes by Carolyn Forché and Robert Hass; Hass later became the Poet Laureate of the United States. The judgeship of W. S. Merwin, from 1998 to 2003, was fraught with controversy, as he refused to select a winner the first year that he was judge. Louise Glück, who is widely considered to have revived the prize's stature, judged the award from 2003 to 2010. Carl Phillips is the current judge.
Read more about Yale Series Of Younger Poets Competition: Past Winners
Famous quotes containing the words yale, series, younger, poets and/or competition:
“And there was that wholesale libel on a Yale prom. If all the girls attending it were laid end to end, Mrs. Parker said, she wouldn’t be at all surprised.”
—Dorothy Parker (1893–1967)
“If the technology cannot shoulder the entire burden of strategic change, it nevertheless can set into motion a series of dynamics that present an important challenge to imperative control and the industrial division of labor. The more blurred the distinction between what workers know and what managers know, the more fragile and pointless any traditional relationships of domination and subordination between them will become.”
—Shoshana Zuboff (b. 1951)
“The younger brother must help to pay for the pleasures of the elder.”
—Jane Austen (1775–1817)
“God, who gave to him the lyre,
Of all mortals the desire,
For all breathing men’s behoof,
Straitly charged him, “Sit aloof;”
Annexed a warning, poets say,
To the bright premium,—
Ever, when twain together play,
Shall the harp be dumb.”
—Ralph Waldo Emerson (1803–1882)
“So long as the system of competition in the production and exchange of the means of life goes on, the degradation of the arts will go on; and if that system is to last for ever, then art is doomed, and will surely die; that is to say, civilization will die.”
—William Morris (1834–1896)