Programs
The Glee Club works with New Haven high school students each year as part of an annual choral festival. Outreach and service activities incorporated into tours were a central focus of the Glee Club's 2007 domestic tour to the Gulf Coast states.
The Glee Club's annual Emerging Composers Competition encourages new works for mixed chorus, and the Fenno Heath Award encourages the creation of new Yale songs. Both competitions were inaugurated in the fall of 2005 with the world premieres of Laus Trinitati by Jocelyn Hagen and A Modern Toast to Yale by Zachary Sandler.
The Glee Club has an alumni association, the Yale Glee Club Associates, which offers advice and financial support to the Glee Club. The YGCA has formed a chorus of its own called the Yale Alumni Chorus. This chorus gives alumni an opportunity to resume old friendships and enjoy the songs of their Glee Club years while traveling and giving concerts in foreign countries.
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Famous quotes containing the word programs:
“Although good early childhood programs can benefit all children, they are not a quick fix for all of society’s ills—from crime in the streets to adolescent pregnancy, from school failure to unemployment. We must emphasize that good quality early childhood programs can help change the social and educational outcomes for many children, but they are not a panacea; they cannot ameliorate the effects of all harmful social and psychological environments.”
—Barbara Bowman (20th century)
“Short of a wholesale reform of college athletics—a complete breakdown of the whole system that is now focused on money and power—the women’s programs are just as doomed as the men’s are to move further and further away from the academic mission of their colleges.... We have to decide if that’s the kind of success for women’s sports that we want.”
—Christine H. B. Grant, U.S. university athletic director. As quoted in the Chronicle of Higher Education, p. A42 (May 12, 1993)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)