The Yale Center for British Art is an art museum at Yale University in New Haven, Connecticut which houses the most comprehensive collection of British Art outside the United Kingdom. It concentrates on work from the Elizabethan period onward.
The Center was established by a gift from Paul Mellon of his British art collection to Yale in 1966, together with an endowment for operations of the Center, and funds for a building to house the works of art. The building was designed by Louis I. Kahn and constructed at the corner of York and Chapel Streets in New Haven, across the street from one of Kahn's earliest buildings, the Yale University Art Gallery, built in 1953. The Yale Center for British Art was completed after Kahn's death in 1974, and opened to the public on April 19, 1977. The exterior is made of matte steel and reflective glass; the interior is of travertine marble, white oak, and Belgian linen.
The Center is affiliated with the Paul Mellon Centre for Studies in British Art in London, which sponsors the "Yale-in-London" undergraduate study abroad program, publishes academic titles, and awards grants and fellowships.
Read more about Yale Center For British Art: Collection
Famous quotes containing the words british art, yale, center, british and/or art:
“His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.”
—Oscar Wilde (1854–1900)
“While it may not heighten our sympathy, wit widens our horizons by its flashes, revealing remote hidden affiliations and drawing laughter from far afield; humor, in contrast, strikes up fellow feeling, and though it does not leap so much across time and space, enriches our insight into the universal in familiar things, lending it a local habitation and a name.”
—Marie Collins Swabey. Comic Laughter, ch. 5, Yale University Press (1961)
“Actually being married seemed so crowded with unspoken rules and odd secrets and unfathomable responsibilities that it had no more occurred to her to imagine being married herself than it had to imagine driving a motorcycle or having a job. She had, however, thought about being a bride, which had more to do with being the center of attention and looking inexplicably, temporarily beautiful than it did with sharing a double bed with someone with hairy legs and a drawer full of boxer shorts.”
—Anna Quindlen (b. 1952)
“Much of what passes for quality on British television is no more than a reflection of the narrow elite which controls it and has always thought that its tastes were synonymous with quality.”
—Rupert Murdoch (b. 1931)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (1803–1882)