Yale Center For British Art

The Yale Center for British Art is an art museum at Yale University in New Haven, Connecticut which houses the most comprehensive collection of British Art outside the United Kingdom. It concentrates on work from the Elizabethan period onward.

The Center was established by a gift from Paul Mellon of his British art collection to Yale in 1966, together with an endowment for operations of the Center, and funds for a building to house the works of art. The building was designed by Louis I. Kahn and constructed at the corner of York and Chapel Streets in New Haven, across the street from one of Kahn's earliest buildings, the Yale University Art Gallery, built in 1953. The Yale Center for British Art was completed after Kahn's death in 1974, and opened to the public on April 19, 1977. The exterior is made of matte steel and reflective glass; the interior is of travertine marble, white oak, and Belgian linen.

The Center is affiliated with the Paul Mellon Centre for Studies in British Art in London, which sponsors the "Yale-in-London" undergraduate study abroad program, publishes academic titles, and awards grants and fellowships.

Read more about Yale Center For British Art:  Collection

Famous quotes containing the words yale, center, british and/or art:

    And there was that wholesale libel on a Yale prom. If all the girls attending it were laid end to end, Mrs. Parker said, she wouldn’t be at all surprised.
    Dorothy Parker (1893–1967)

    Whenever there’s a big war coming on, you should rope off a big field. And on the big day, you should take all the kings and their cabinets and their generals, put ‘em in the center dressed in their underpants and let them fight it out with clubs. The best country wins.
    Maxwell Anderson (1888–1959)

    These battles sound incredible to us. I think that posterity will doubt if such things ever were,—if our bold ancestors who settled this land were not struggling rather with the forest shadows, and not with a copper-colored race of men. They were vapors, fever and ague of the unsettled woods. Now, only a few arrowheads are turned up by the plow. In the Pelasgic, the Etruscan, or the British story, there is nothing so shadowy and unreal.
    Henry David Thoreau (1817–1862)

    The manuscript lay like a dust-rag on his desk, and Eitel found, as he had found before, that the difficulty of art was that it forced a man back on his life, and each time the task was more difficult and distasteful.
    Norman Mailer (b. 1923)