The Yale Center for British Art is an art museum at Yale University in New Haven, Connecticut which houses the most comprehensive collection of British Art outside the United Kingdom. It concentrates on work from the Elizabethan period onward.
The Center was established by a gift from Paul Mellon of his British art collection to Yale in 1966, together with an endowment for operations of the Center, and funds for a building to house the works of art. The building was designed by Louis I. Kahn and constructed at the corner of York and Chapel Streets in New Haven, across the street from one of Kahn's earliest buildings, the Yale University Art Gallery, built in 1953. The Yale Center for British Art was completed after Kahn's death in 1974, and opened to the public on April 19, 1977. The exterior is made of matte steel and reflective glass; the interior is of travertine marble, white oak, and Belgian linen.
The Center is affiliated with the Paul Mellon Centre for Studies in British Art in London, which sponsors the "Yale-in-London" undergraduate study abroad program, publishes academic titles, and awards grants and fellowships.
Read more about Yale Center For British Art: Collection
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“His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.”
—Oscar Wilde (1854–1900)
“Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true and false but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.”
—Marie Collins Swabey. Comic Laughter, ch. 7, Yale University Press (1961)
“There is nothing more natural than to consider everything as starting from oneself, chosen as the center of the world; one finds oneself thus capable of condemning the world without even wanting to hear its deceitful chatter.”
—Guy Debord (b. 1931)
“These battles sound incredible to us. I think that posterity will doubt if such things ever were,—if our bold ancestors who settled this land were not struggling rather with the forest shadows, and not with a copper-colored race of men. They were vapors, fever and ague of the unsettled woods. Now, only a few arrowheads are turned up by the plow. In the Pelasgic, the Etruscan, or the British story, there is nothing so shadowy and unreal.”
—Henry David Thoreau (1817–1862)
“His art is eccentricity, his aim
How not to hit the mark he seems to aim at,”
—Robert Francis (b. 1901)