The Yale Center for British Art is an art museum at Yale University in New Haven, Connecticut which houses the most comprehensive collection of British Art outside the United Kingdom. It concentrates on work from the Elizabethan period onward.
The Center was established by a gift from Paul Mellon of his British art collection to Yale in 1966, together with an endowment for operations of the Center, and funds for a building to house the works of art. The building was designed by Louis I. Kahn and constructed at the corner of York and Chapel Streets in New Haven, across the street from one of Kahn's earliest buildings, the Yale University Art Gallery, built in 1953. The Yale Center for British Art was completed after Kahn's death in 1974, and opened to the public on April 19, 1977. The exterior is made of matte steel and reflective glass; the interior is of travertine marble, white oak, and Belgian linen.
The Center is affiliated with the Paul Mellon Centre for Studies in British Art in London, which sponsors the "Yale-in-London" undergraduate study abroad program, publishes academic titles, and awards grants and fellowships.
Read more about Yale Center For British Art: Collection
Famous quotes containing the words yale, center, british and/or art:
“Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true and false but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.”
—Marie Collins Swabey. Comic Laughter, ch. 7, Yale University Press (1961)
“The question of whether it’s God’s green earth is not at center stage, except in the sense that if so, one is reminded with some regularity that He may be dying.”
—Edward Hoagland (b. 1932)
“Much of what passes for quality on British television is no more than a reflection of the narrow elite which controls it and has always thought that its tastes were synonymous with quality.”
—Rupert Murdoch (b. 1931)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)