Description
The south blockhouse was built first, in 1930. While it appears to be constructed of logs, it is a wood-frame structure with log siding. The square two-story building has a battered stone foundation wall extending to sill level, which is overhung by the second floor. The south blockhouse housed administrative and interpretation services for the Yakima Park area. The south blockhouse initially contained two administrative offices on the first floor, as well as a kitchen, dining room and living room for staff. The upper level included six bedrooms and two bathrooms. The Stockade is a vertical log fence built in the 1930s that hid a mess hall, since demolished, and which now conceals a split-face concrete block water treatment building built in 1985. Work on the visitor center and the north blockhouse began in 1939, and was completed in 1943, delayed by funding problems. The north blockhouse resembles the south blockhouse, with greater attention to stonework. The north blockhouse houses seasonal park employees. The visitor center is set between and behind the blockhouses, with a view of Mount Rainier through large south-facing windows. The building was previously known as the "campers' shelter" and the Museum. The visitor center is built of logs, with an overhanging second story, but with less of an overhang than the blockhouses. All of the structures have hipped roofs clad with cedar shingles.
Read more about this topic: Yakima Park Stockade Group
Famous quotes containing the word description:
“The great object in life is Sensationto feel that we exist, even though in pain; it is this craving void which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.”
—George Gordon Noel Byron (17881824)
“God damnit, why must all those journalists be such sticklers for detail? Why, theyd hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.”
—Lyndon Baines Johnson (19081973)