Xu Beihong - Gallery

Gallery

  • Orchids (c. 1940)
    Size: 14cm
    Medium: Oil on ceramics
    Collection: Private collection.

  • Portrait of Ms Jenny (1939)
    Size: unknown
    Medium: Oil on canvas
    A portrait of a Cantonese dance hostess from Singapore, painted by Xu with the commission from the then-vice-consul of Belgium to Singapore.

  • Portrait of Lim Loh (1927)
    Size: 116 x 77 cm
    Medium: Oil on canvas
    Collection of the Lim Loh Family estate
    In 1927, Xu was introduced by his good friend, Huang Manshi to well-known Singaporean businessman Lim Cheng Gee (林志义), also known as Lim Loh (林路). Xu was commissioned to paint the portraits for Lim and his family who ran successful businesses in brick and biscuit manufacturing in Singapore. Lim was better known as the father of war hero Lim Bo Seng, who was his eleventh child.

  • Portrait Of Young Lady (1940)
    Size: 82 x 54cm
    Medium: Oil on canvas
    This portrait, completed in JiangXia Tang (江夏堂) in Singapore, was of Ms Christina Li HuiWang, who later became the first wife of Asian movie mogul Dato Loke Wan Tho.

  • Portrait of Madam Cheng (1941)
    Size: 79.5 x 65cm
    Medium: Oil on board
    Collection of Dato' Cheong Kai Fu, Ipoh
    This portrait was painted by Xu in Ipoh in 1941, when Madam Cheng was 92 years old. She was the mother of the late Cheong Chee (1885-1954), a wealthy Chinese tin miner and philanthropist in Malaya.

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Famous quotes containing the word gallery:

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)