Role of The Xindi in Music
In the modern day Chinese orchestra, the xindi plays an important role in the mid and lower tonal ranges, alongside other di instruments. It has the same function as the changdi (長笛) in the Chinese Symphony Orchestra. The xindi features in more than half of all traditional Chinese ensemble music. Sometimes, the xindi is replaced by other instruments of similar range such as the dadi, xiao or changdi. This is due to its reduced popularity because of its complicated fingering and an insufficient range. Sometimes the qudi is used to simulate a xindi’s sound instead of a xindi itself; this is achieved by placing a plastic film over the mokong (膜孔). Although the xindi features significantly in ensemble performance, its use for solo performance is very rare. Due to its complicated fingering and limited range changes, it is often considered a slightly inferior performance instrument in comparison to the dadi or flute. It is mainly valued for its ability to play in semitones, which means it can be used for western style music more easily. However, it is not considered to be the optimal choice because the western flute has a broader range and a tone which complements the other orchestral instruments better. All these reasons contribute to why its use for solo performance is so restricted and rare.
Read more about this topic: Xindi (instrument)
Famous quotes containing the words role of, role and/or music:
“Women’s battle for financial equality has barely been joined, much less won. Society still traditionally assigns to woman the role of money-handler rather than money-maker, and our assigned specialty is far more likely to be home economics than financial economics.”
—Paula Nelson (b. 1945)
“So successful has been the camera’s role in beautifying the world that photographs, rather than the world, have become the standard of the beautiful.”
—Susan Sontag (b. 1933)
“Morning work! By the blushes of Aurora and the music of Memnon, what should be man’s morning work in this world?”
—Henry David Thoreau (1817–1862)