Works
Xiang Jing is considered highly satirical and there are questions that are raised surrounding the plight of the post-feminist movement of women. She shows the emotions and expresses the mindset of women which causes her work to shift from personal to political. Xiang Jing matches the outward appearance of the sculpture with inner philosophy and emotions of the same image. She is a well-rounded sculpture whose works include: some animal figures, clothed women, and naked women. The sculptures are made from different thing; some of them are casted in bronze or polyurethane while others are painted in fiberglass. As an artist, she seems to keep most of her focus on women and how she portrays them in her work. She captures the current trends, some popular activities that contemporary women indulge in (clubbing, shopping, etc.). Xiang Jing hardly ever uses synthetic materials in her works. She uses some props such as cigarettes. She is phenomenal at expressing the emotions of the women she sculpts. Depending on the work, most of the women seem to have the emotion of depression. In some of them there seems to be a sense of reflection or vulnerability. These sculptures have an eerie glow about them that conveys the emotion of anger or sadness. Happiness does not seem to be a theme in any of her creations.
Read more about this topic: Xiang Jing (artist)
Famous quotes containing the word works:
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (18921983)
“I divide all literary works into two categories: Those I like and those I dont like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (18601904)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (18191891)