Works
Xiang Jing is considered highly satirical and there are questions that are raised surrounding the plight of the post-feminist movement of women. She shows the emotions and expresses the mindset of women which causes her work to shift from personal to political. Xiang Jing matches the outward appearance of the sculpture with inner philosophy and emotions of the same image. She is a well-rounded sculpture whose works include: some animal figures, clothed women, and naked women. The sculptures are made from different thing; some of them are casted in bronze or polyurethane while others are painted in fiberglass. As an artist, she seems to keep most of her focus on women and how she portrays them in her work. She captures the current trends, some popular activities that contemporary women indulge in (clubbing, shopping, etc.). Xiang Jing hardly ever uses synthetic materials in her works. She uses some props such as cigarettes. She is phenomenal at expressing the emotions of the women she sculpts. Depending on the work, most of the women seem to have the emotion of depression. In some of them there seems to be a sense of reflection or vulnerability. These sculptures have an eerie glow about them that conveys the emotion of anger or sadness. Happiness does not seem to be a theme in any of her creations.
Read more about this topic: Xiang Jing (artist)
Famous quotes containing the word works:
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (19211988)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
—Herman Melville (18191891)