Xeroderma Pigmentosum - in Popular Culture

In Popular Culture

These fictional characters have XP:

  • Christopher Snow in Dean Koontz's Moonlight Bay Trilogy
  • Luke in the 2002 novel Going Out by Scarlett Thomas
  • In the Japanese movie Taiyou no Uta also known as Midnight Sun, the main character (Kaoru Amane)
  • In the ITV series Ultraviolet, one of the humans is mistaken for a vampire because he avoids sunlight, when in fact he has XP.
  • In the independent film Dark Side of the Sun (1988) with Brad Pitt as the main character suffering from XP.
  • In the 2001 film The Others, the two children, Anne and Nicholas, suffer from XP.
  • In the 2003 novel Second Glance by Jodi Picoult, Ethan Wakeman, the 9-year-old nephew of Ross Wakeman (the main protagonist)
  • The 2003 Angela Johnson novel, A Cool Moonlight, centers on a girl who has XP and can never be in the sun. The family has gone to drastic measures to help make her life easier, and to make her feel like a normal 8-year-old.
  • The Spanish film "Eskalofrío" or "Shiver" released in 2008 featured a main character named Santi who is ostracized as he suffers from the condition.
  • The 2011 film La permission de minuit by French director Delphine Gleize centers on a teenage boy with XP.
  • The 2012 documentary "Sun Kissed" explores the XP problem on the Navajo Indian Reservation.

Read more about this topic:  Xeroderma Pigmentosum

Famous quotes containing the words popular and/or culture:

    “Parents’ ability to survive a child’s unabating needs, wants, and demands...varies enormously. Some people can give and give....Whether children are good or bad, brilliant or just about normal, enormously popular or born loners, they keep their cool and say just the right thing at all times...even when they are miserable themselves, inexhaustible springs of emotional energy, reserved just for children, keep flowing unabated.”
    —Stella Chess (20th century)

    “Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
    —Ralph Waldo Emerson (1803–1882)