Story
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It is one year after the events of Episode II and Shion Uzuki has left Vector Industries. After the "Missing Year" fiasco, in which she uncovered information that revealed her former employer's shadowy intentions and her father's involvement with the U-TIC organization, Shion joined the anti-Vector group, Scientia. The CEO of Vector Industries, Wilhelm, is trying to "reset" the universe, going back to the point in time where it all began. Apparently, he has been doing this for millennia, in order to keep the universe from collapsing. While separated from her comrades from previous Xenosaga games, save Canaan and Miyuki, Shion is inexorably drawn back into their intertwined fates when she is contacted by Allen Ridgely. Shion travels to Fifth Jerusalem, where the previous Xenosaga crew is reunited. At the CAT Facility, a mysterious new researcher, Roth Mantel, has unveiled a next-generation model of android named T-elos, who bears a startling resemblance to KOS-MOS. After a series of experimental demonstrations, overseen by such VIPs as Juli Mizrahi, Mantel informs the Vector staff that the KOS-MOS project is being scrapped. Jr. and the others stage an infiltration into the CAT Facility and recover KOS-MOS before rendezvousing with the Durandal.
Read more about this topic: Xenosaga Episode III: Also Sprach Zarathustra
Famous quotes containing the word story:
“I know not whether the remark is to our honour or otherwise, that lessons of wisdom have never such power over us, as when they are wrought into the heart, through the ground-work of a story which engages the passions: Is it that we are like iron, and must first be heated before we can be wrought upon?”
—Laurence Sterne (1713–1768)
“Come all you rounders if you want to hear
A story ‘bout a brave engineer;
Casey Jones, that was the rounder’s name
On a heavy eight-wheeler he rode to fame.”
—Unknown. Casey Jones (l. 1–4)
“I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.”
—Fred Rogers (20th century)