Music
Scharwenka's own compositions include an opera (Mataswintha), a symphony, four piano concertos, chamber music (all with piano part) and numerous piano pieces; his piano idiom somewhat resembles Schumann and Rachmaninoff.
The four piano concertos are substantial works. The first, in B flat minor, Op. 32, was completed in 1874 and premiered the following year. Originally written as a solo piano fantasy, Scharwenka was dissatisfied, and reworked it with orchestra into this form. Franz Liszt accepted the dedication and performed it in Berlin. Its first recording was made in 1968 with Earl Wild and the Boston Symphony Orchestra under Erich Leinsdorf. Wild had learned the concerto as a boy under Selmar Janson, who had studied it directly with the composer. When Leinsdorf asked Wild to record the concerto, he was able to say "I've been waiting by the phone for forty years for someone to ask me to play this".
The fourth concerto, in F minor, Op. 82 (1908), was premiered on 18 October 1908 in the Beethovensaal, Berlin, with Scharwenka's student Martha Siebold as the soloist and the composer himself conducting.
Scharwenka's works were neglected for some years after his death; however, his "Polish Dance No. 1" in E-flat minor, Op. 3, No. 1, remained enormously popular. Since the mid-1990s, however, interest in his music has been rekindled, and recordings of most of his works are now available commercially. The recording of his Fourth Piano Concerto played by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Lawrence Foster was voted Record of the Year by the British music magazine Gramophone in 1996. His Symphony in C minor, Op. 60, received its CD premiere in 2004.
Read more about this topic: Xaver Scharwenka
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