Critical Reception
Xanadu's opening night reviews from the New York critics were mostly positive. The musical broke the Helen Hayes one-day box office record the day after the reviews came out.
Charles Isherwood, in The New York Times, wrote that the show is "simultaneously indefensible and irresistible... there’s so much silly bliss to be had... there is enough first-rate stage talent rolling around in Xanadu to power a season of wholly new, old-school, non-jukebox musicals, if someone would get around to writing a few good ones... the show’s winking attitude toward its own aesthetic abjectness can be summed up thus: If you can’t beat ’em, slap on some roller skates and join ’em." Although Isherwood praised most of the cast, he noted that the musical "does have a few dead spots in its brisk 90-minute running time.... Mr. Beane’s inspiration seems to have failed him when it came to minting fresh fun from the subplot involving flashbacks to Danny’s 1940s romance. The stage "Xanadu" can’t really muster much in the way of an extravaganza, either.... The production is skimpy on both the casting and design fronts."
Hilton Als' review in The New Yorker called Xanadu "probably the most fun you’ll have on Broadway this season, one reason being that everything about it is so resolutely anti-Broadway. In its wildness and ecstasy, Xanadu is a welcome relief from the synthetic creations that some Broadway producers have been peddling for years. Here you can’t count the disco balls fast enough—not to mention the roller skates, the frosted-pink lips, and the glittering spandex that the director, Christopher Ashley, hurls at you like a PCP flashback. Xanadu is far sleazier and cheesier than conventional musical theatre, and it points out just how tame most other musicals are."
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