Plot
Sonny Malone is a talented artist who dreams of fame beyond his job, which is the non-creative task of painting larger versions of album covers for record-store window advertisements. As the film opens, Sonny is broke and on the verge of giving up his dream. Having quit his day job to try to make a living as a freelance artist, but having failed to make any money at it, Sonny returns to his old job at AirFlo Records. After some humorous run-ins with his imperious boss and nemesis, Simpson, he resumes painting record covers.
At work, Sonny is told to paint an album cover for a group called The Nine Sisters. The cover features a beautiful woman passing in front of an art deco auditorium (the Pan-Pacific Auditorium). This same woman collided with him earlier that day, kissed him, then roller-skated away, and Malone becomes obsessed with finding her. He finds her at the same (but now abandoned) auditorium. She identifies herself as Kira, but she will not tell him anything else about herself. Unbeknownst to Sonny, Kira is one of nine mysterious and beautiful women who literally sprang to life from a local mural in town near the beach. Sonny befriends a has-been big band orchestra leader-turned-construction mogul named Danny McGuire. Danny lost his muse in the 1940s (who is seen in a flashback scene to bear a startling resemblance to Kira), and Sonny has not yet found his muse. Kira encourages the two men to form a partnership and open a nightclub at the old auditorium from the album cover. She falls in love with Sonny, and this presents a problem because she is actually an Olympian Muse. ("Kira"'s real name is Terpsichore, and she is the Muse of dancing and chorus.) The other eight women from the beginning of the film are her sisters and fellow goddesses, the Muses, and the mural is actually a portal of sorts and their point of entry to Earth.
The Muses visit Earth often to help inspire others to pursue their dreams and desires, but in Kira's case, she has violated the rules by which Muses are supposed to conduct themselves, as she was only supposed to inspire Sonny but has ended up falling in love with him as well. Her parents (presumably the Greek gods Zeus and Mnemosyne) recall her to the timeless realm of the gods. Sonny follows her through the mural and professes his love for her. A short debate between Sonny and Zeus occurs with Mnemosyne interceding on Kira and Sonny's behalf. Kira then enters the discussion, saying the emotions she has toward Sonny are new to her--if only they could have one more night together, Sonny's dream of success for the nightclub Xanadu could come true. Zeus ultimately sends Sonny back to Earth. After Kira expresses her feelings for Sonny in the song "Suspended in Time", Zeus and Mnemosyne decide to let Kira go to him for a "moment, or maybe forever", which they cannot keep straight because mortal time confuses them, and the audience is left to wonder her fate.
In the finale, Kira and the Muses perform for a packed house at Xanadu's grand opening, and after Kira's final song, they return to the realm of the gods in spectacular fashion. With their departure, Sonny is understandably depressed, but that quickly changes when Danny has one of the waitresses bring Sonny a drink because the waitress looks exactly like Kira. Sonny approaches this enigmatic doppelgänger and says he would just like to talk to her. The film ends with the two of them talking, in silhouette, as the credits begin to roll.
Read more about this topic: Xanadu (film)
Famous quotes containing the word plot:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)