Appearance in The Film
Built on an immense "private mountain" located on the "deserts of the Gulf coast" in Florida, Xanadu is described as being the world's largest private estate; "cost: no man can say" according to the newsreel at the beginning of the film. The newsreel directly quotes from Samuel Taylor Coleridge's poem "Kubla Khan", which tells of how the title character erected a 'stately pleasure-dome' in the city of Xanadu. The newsreel also states that Kane specifically conceived the estate for Susan Alexander, his second wife. Ironically, however, Susan grew to hate Xanadu, calling it "forty-nine thousand acres of nothing but scenery and statues." The newsreel's pompous description of Xanadu (a pastiche of the "Timese" style of The March of Time films of the period), is as follows:
| “ | Here, on the deserts of the Gulf coast, a private mountain was commissioned and successfully built. One hundred thousand trees, twenty thousand tons of marble are the ingredients of Xanadu's mountain. Contents of Xanadu's palace: paintings, pictures, statues, the very stones of many another palace — a collection of everything so big it can never be cataloged or appraised; enough for ten museums; the loot of the world. Xanadu's livestock: the fowl of the air, the fish of the sea, the beast of the field and jungle. Two of each; the biggest private zoo since Noah. Like the Pharaohs, Xanadu's landlord leaves many stones to mark his grave. Since the Pyramids, Xanadu is the costliest monument a man has built to himself. | ” |
The estate also boasts a championship quality golf course and a Venetian-style canal with gondolas. The extensive zoo and aquarium were stocked with a menagerie of animals including monkeys, horses, giraffes, birds, octopuses, elephants and donkeys. The estate is enclosed by a metal partition that is entered through a gateway with a giant letter "K" above it. Central to the estate is Xanadu proper, the castle-like mansion that served as Kane's home and repository for his enormous collection of antiquities and objets d'art. Xanadu has at least a few dozen butlers and maidservants.
Oheka Castle was used for some exterior shots of Xanadu seen in the opening newsreel. However, most shots of Xanadu were surrealistic, highly stylized matte paintings. Xanadu makes great use of Gothic architecture and, except in the opening newsreel, it always appears in the film at night with fog surrounding it, giving it an ominous look. This is appropriate since for Kane, Xanadu becomes more of a prison than a refuge. Considering the size of the building, very little of the interior was shown, presumably due to the film's limited budget and the fact that little of the interior was needed for the required scenes. The interior — shown to include enormous and sparsely decorated rooms with gigantic fireplaces and so on — seems to be as gloomy and imposing as the exterior, again emphasizing its status as a prison. Xanadu's interior especially does not appear at all homely or cozy, symbolizing the emptiness of Kane's later life.
The estate is featured in the opening and closing shots of the film, and is where Kane dies, virtually alone. Though he is still fabulously wealthy at the time of his death, Xanadu, still unfinished according to the newsreel, has already fallen into visible disrepair, presumably from neglect and its impractical size. After his death, Xanadu is abandoned and its vast estates and holdings are cataloged and auctioned. Kane's personal effects, including a sled that reveals the meaning of "rosebud," are incinerated.
Read more about this topic: Xanadu (Citizen Kane)
Famous quotes containing the words appearance and/or film:
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)