Impact
Published during the comic book speculator boom, the involvement of Jim Lee and Rob Liefeld caused the issues of the crossover to sell for $10–20 on the secondary market when the books were first published, though the issues have since gone down in value.
The storyline also had several lasting effects on the various titles.
- The loss of longtime New Mutants members Wolfsbane, Rictor and Warlock would begin the book's transition to X-Force.
- The various X-Men in the story (Storm, Wolverine, Banshee, Forge, Psylocke, Jubilee, Gambit) would form the first official X-Men roster since the Australia-based team disbanded.
- The mutate process would psychically bind Wolfsbane to Havok - a plot thread that would be picked up after both joined X-Factor.
On added side-note: Another of the Phalanx came to earth. On taking impressions from Wolfsbane's memories, the creature transformed itself to resemble Douglas/Warlock, and was thusly named: Douglock.
Read more about this topic: X-Tinction Agenda
Famous quotes containing the word impact:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Too many existing classrooms for young children have this overriding goal: To get the children ready for first grade. This goal is unworthy. It is hurtful. This goal has had the most distorting impact on five-year-olds. It causes kindergartens to be merely the handmaidens of first grade.... Kindergarten teachers cannot look at their own children and plan for their present needs as five-year-olds.”
—James L. Hymes, Jr. (20th century)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)