Wyndham Lewis - The 1920s

The 1920s

After the war, Lewis resumed his career as a painter, with a major exhibition, Tyros and Portraits, at the Leicester Galleries in 1921. "Tyros" were satirical caricatural figures intended by Lewis to comment on the culture of the "new epoch" that succeeded the First World War. A Reading of Ovid and Mr Wyndham Lewis as a Tyro are the only surviving oil paintings from this series. As part of the same project, Lewis also launched his second magazine, The Tyro, of which there were only two issues. The second (1922) contained an important statement of Lewis's visual aesthetic: "Essay on the Objective of Plastic Art in our Time". It was during the early 1920s that he perfected his incisive draughtsmanship.

By the late 1920s, he was not painting so much, but instead concentrating on writing. He launched yet another magazine, The Enemy (three issues, 1927–29), largely written by himself and declaring its belligerent critical stance in its title. The magazine, and the theoretical and critical works he published between 1926 and 1929, mark his deliberate separation from the avant-garde and his previous associates. Their work, he believed, failed to show sufficient critical awareness of those ideologies that worked against truly revolutionary change in the West. As a result their work became a vehicle for these pernicious ideologies. His major theoretical and cultural statement from this period is The Art of Being Ruled (1926). Time and Western Man (1927) is a cultural and philosophical discussion that includes penetrating critiques of James Joyce, Gertrude Stein and Ezra Pound that are still read. In the domain of philosophy, Lewis attacked the "time philosophy" (i.e. process philosophy) of Bergson, Samuel Alexander, Alfred North Whitehead and others.