Box Office Performance
| Film | Release date | Box office revenue | Box office ranking | Reference | ||
| Domestic | Foreign | Worldwide | United States | |||
| See No Evil | May 19, 2006 | $15,032,800 | $3,388,168 | $18,420,968 | #6 | |
| The Marine | October 13, 2006 | $18,844,784 | $3,320,824 | $22,165,608 | #6 | |
| The Condemned | April 27, 2007 | $7,371,706 | $1,263,477 | $8,635,183 | #9 | |
| 12 Rounds | March 27, 2009 | $12,234,694 | $5,045,632 | $17,280,326 | #7 | |
| Legendary | September 10, 2010 | $200,393 | - | - | #38 | |
| Knucklehead | October 22, 2010 | $1,000 | $7,927 | $8,927 | ||
| The Chaperone | February 18, 2011 | $14,400 | $29,395 | $43,795 | ||
| That's What I Am | April 29, 2011 | $6,400 | - | - | ||
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Famous quotes containing the words box, office and/or performance:
“I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look at the sunset over the box house hills and cry.”
—Allen Ginsberg (b. 1926)
“I leave the governor’s office next week, and with it public life ... [which] has been on the whole a pleasant one. But for ten years and over my salaries have not equalled my expenses, and there has been a feeling of responsibility, a lack of independence, and a necessary neglect of my family and personal interests and comfort, which make the prospect of a change comfortable to think of.”
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“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)