World Series Cricket (WSC) was a break away professional cricket competition staged between 1977 and 1979 and organised by Kerry Packer for his Australian television network, Nine Network. The matches ran in opposition to established international cricket. World Series Cricket drastically changed the nature of cricket, and its influence continues to be felt today.
Two main factors caused the formation of WSC—the widespread view that players were not paid sufficient amounts to make a living from cricket, and that Packer wished to secure the exclusive broadcasting rights to Australian cricket, then held by the Australian Broadcasting Commission (ABC).
After the Australian Cricket Board (ACB) refused to accept Channel Nine's bid to gain exclusive television rights to Australia's Test matches in 1976, Packer set up his own series by secretly signing agreements with leading Australian, English, Pakistani, South African and West Indian players, most notably England captain Tony Greig, West Indies captain Clive Lloyd, Australian captain Greg Chappell, future Pakistani captain Imran Khan and former Australian Captain Ian Chappell. Packer was aided by businessmen John Cornell and Austin Robertson, both of whom were involved with the initial setup and administration of the series.
Read more about World Series Cricket: Kerry Packer and The Australian Television Industry, Secret Signings, Court Case, "Supertests", The West Indies and Drop-in Pitches, First Season: 1977–78, The United Front Weakens, Second Season: 1978–79, The Rapprochement, Legacy, Venues, Miscellaneous
Famous quotes containing the words world, series and/or cricket:
“All still lifes are actually paintings of the world on the sixth day of creation, when God and the world were alone together, without man!”
—Robert Musil (1880–1942)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“The thing that struck me forcefully was the feeling of great age about the place. Standing on that old parade ground, which is now a cricket field, I could feel the dead generations crowding me. Here was the oldest settlement of freedmen in the Western world, no doubt. Men who had thrown off the bands of slavery by their own courage and ingenuity. The courage and daring of the Maroons strike like a purple beam across the history of Jamaica.”
—Zora Neale Hurston (1891–1960)