In physics, the world line of an object is the unique path of that object as it travels through 4-dimensional spacetime. The concept of "world line" is distinguished from the concept of "orbit" or "trajectory" (such as an orbit in space or a trajectory of a truck on a road map) by the time dimension, and typically encompasses a large area of spacetime wherein perceptually straight paths are recalculated to show their (relatively) more absolute position states — to reveal the nature of special relativity or gravitational interactions. The idea of world lines originates in physics and was pioneered by Herman Minkowski. The term is now most often used in relativity theories (i.e., special relativity and general relativity).
However, world lines are a general way of representing the course of events. The use of it is not bound to any specific theory. Thus in general usage, a world line is the sequential path of personal human events (with time and place as dimensions) that marks the history of a person — perhaps starting at the time and place of one's birth until one's death. The log book of a ship is a description of the ship's world line, as long as it contains a time tag attached to every position. The world line allows one to calculate the speed of the ship, given a measure of distance (a so-called metric) appropriate for the curved surface of the Earth.
Read more about World Line: Usage in Physics, World Lines As A Tool To Describe Events, World Lines in Special Relativity, World Lines in General Relativity, World Lines in Literature
Famous quotes containing the words world and/or line:
“Man, dreame no more of curious mysteries,
As what was here before the world was made,
The first Mans life, the state of Paradise,
Where heaven is, or hells eternall shade,
For Gods works are like him, all infinite;
And curious search, but craftie sinnes delight.”
—Fulke Greville (15541628)
“What is line? It is life. A line must live at each point along its course in such a way that the artists presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the souls style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (18891963)