Working class culture is a range of cultures created by or popular among working class people. The cultures can be contrasted with high culture and folk culture, and are sometimes equated with popular culture and low culture (the counterpart of high culture).
Working class culture is extremely geographically diverse, leading some to question whether the cultures have anything in common. Many socialists with a class struggle viewpoint see its importance as arising from the proletariat they champion. Some states that claim to be communist have declared an official working class culture, most notably socialist realism, which aims to glorify the worker. However, glorification of the worker in abstract is seldom a feature of independent working class cultures. Other socialists such as Lenin believed that there could be no authentic proletarian culture free from capitalism, and that high culture should not be outside the experience of workers.
Working class culture developed during the Industrial Revolution. Because most of the newly created working class were former peasants, the cultures took on much of the localised folk culture. This was soon altered by the changed conditions of social relationships and the increased mobility of the workforce, and later by the marketing of mass-produced cultural artefacts such as prints and ornaments, and events such as music hall and cinema.
Read more about Working Class Culture: Portrayals in Popular Culture, Further Reading
Famous quotes containing the words working, class and/or culture:
“If Botticelli were alive today hed be working for Vogue.”
—Peter Ustinov (b. 1921)
“God of justice, save the people
From the clash of race and creed,
From the strife of class and faction,
Make our nation free indeed;”
—William Pierson Merrill (18671954)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creators lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)