Criticism
In their 2004 pamphlet 'Crossing the Border' Organise! criticised the WSM for being too influenced by Irish republicanism and of using language that threatened to alienate the northern Irish Protestant working class. Organise! have also criticised the WSM for supporting the election campaign of Des Derwin, a SIPTU activist who ran for a national position in SIPTU in 2002.
The role of the WSM in campaigns in Ireland has been attacked by the mainstream media on a number of occasions. On the 19th of October 2003 the Sunday Independent, Ireland's largest selling Sunday newspaper, claimed that the WSM "had infiltrated the campaign in significant numbers". The April 25th, 2004 issue of Ireland on Sunday claimed that WSM members were linked with the WOMBLES in England in advance of the EU Mayday protests at the start of May that year. The same paper subsequently made a personal charge at another WSM member, calling her an 'unreconstructed' "left-wing die-hard…" who "regularly contributes to anarchist and feminist websites and magazines" after she had appeared on The Late Late Show.
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Famous quotes containing the word criticism:
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (1892–1940)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)