Hunting and Pastoral Songs
In societies without mechanical time keeping, songs of mobilisation, calling members of a community together for a collective task, were extremely important. Both hunting and the keeping of livestock tended to involve small groups or individuals, usually boys and young men, away from the centres of settlement and with long hours to pass. As a result it had been noted that tended to produce long narrative songs, often sung individually, which might dwell on the themes of pastoral activity or animals, designed to pass the time in the tedium of work. Hunting songs, like those of the Mbuti of the Congo, often incorporated distinctive whistles and yodels so that hunters could identity each other's locations and those of their prey.
Read more about this topic: Work Song
Famous quotes containing the words hunting, pastoral and/or songs:
“The French manner of hunting is gentlemanlike; ours is only for bumpkins and bodies. The poor beasts here are pursued and run down by much greater beasts than themselves; and the true British fox-hunter is most undoubtedly a species appropriated and peculiar to this country, which no other part of the globe produces.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“Let me make the superstitions of a nation and I care not who makes its laws or its songs either.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)