Woodblock Printing - Japan

Japan

The earliest known woodblock printing dates from 764-770, when an Empress commissioned one million small wooden pagodas containing short printed scrolls - typically 6 cm × 45 cm (2.4 in × 18 in) - to be distributed to temples. Apart from the production of Buddhist texts, which became widespread from the 11th century in Japan, the process was only adopted in Japan for secular books surprisingly late, and a Chinese-Japanese dictionary of 1590 is the earliest known example.

Though the Jesuits operated a movable type printing-press in Nagasaki, printing equipment brought back by Toyotomi Hideyoshi's army from Korea in 1593 had far greater influence on the development of the medium. Four years later, Tokugawa Ieyasu, even before becoming shogun, effected the creation of the first native movable type, using wooden type-pieces rather than metal. He oversaw the creation of 100,000 type-pieces, which were used to print a number of political and historical texts.

An edition of the Confucian Analects was printed in 1598, using a Korean moveable type printing press, at the order of Emperor Go-Yōzei. This document is the oldest work of Japanese moveable type printing extant today. Despite the appeal of moveable type, however, it was soon decided that the running script style of Japanese writings would be better reproduced using woodblocks, and so woodblocks were once more adopted; by 1640 they were once again being used for nearly all purposes.

It quickly gained popularity among artists of ukiyo-e, and was used to produce small, cheap, art prints as well as books. Japan began to see something of literary mass production. The content of these books varied widely, including travel guides, advice manuals, kibyōshi (satirical novels), sharebon (books on urban culture), art books, and play scripts for the jōruri (puppet) theatre. Often, within a certain genre, such as the jōruri theatre scripts, a particular style of writing would come to be the standard for that genre; in other words, one person's personal calligraphic style was adopted as the standard style for printing plays.