Woodblock Printing - 15th Century Europe

15th Century Europe

Block-books, where both text and images are cut on a single block for a whole page, appeared in Europe in the mid-15th century. As they were almost always undated and without statement of printer or place of printing, determining their dates of printing has been an extremely difficult task. Allan H. Stevenson, by comparing the watermarks in the paper used in blockbooks with watermarks in dated documents, concluded that the "heyday" of blockbooks was the 1460s, but that at least one dated from about 1451. Block books printed in the 1470s were often of cheaper quality, as a cheaper alternative to books printed by printing press. Block books continued to be printed sporadically up through the end of the 15th century.

The most famous block-books are the Speculum Humanae Salvationis and the Ars moriendi, though in this the images and text are on different pages, but all block-cut. The Biblia pauperum, a Biblical picture-book, was the next most common title, and the great majority of block-books were popular devotional works. All block-books are fairly short at less than fifty pages. While in Europe movable metal type soon became cheap enough to replace woodblock printing for the reproduction of text, woodcuts remained a major way to reproduce images in illustrated works of early modern European printing. (See also: Old master print.)

Most block-books before about 1480 were printed on only one side of the paper — if they were printed by rubbing it would be difficult to print on both sides without damaging the first one to be printed. Many were printed with two pages per sheet, producing a book with opening of two printed pages, followed by openings with two blank pages (as earlier in China). The blank pages were then glued together to produce a book looking like a type-printed one. Where both sides of a sheet have been printed, it is presumed a printing-press was used.

The method was also used extensively for printing playing cards.