Wood Art - Finishing

Finishing

The grain and figure of the wood interact with the shape of the piece to make interesting visual and tactile effects. The surface texture may be manipulated by sanding, scraping, scorching, weathering, or leaving it just as it came from the shaping. Processes such as sanding or rasping have one sort of effect, while cutting (planing, chiseling, gouging, or other carving) leaves the surface with a distinctively clear and fresh appearance, particularly if the tool is well-sharpened. Some finishing processes may leave a corduroy effect, where the lines of harder late wood contrast with the often paler, softer, early wood.

Each tool used to shape wood usually leaves a signature, or distinctive set of marks. For example, it is easy to tell a cut made by a bandsaw from that of a circular saw. If a smooth surface is desired, then planes, scrapers, or sandpaper are useful for "erasing" toolmarks. Sometimes it is more interesting to leave the tool marks showing. Some centuries-old violin scrolls, for instance, still carry the tool marks of the master that made them, working rapidly and efficiently.

The texture and appearance of wood grain may be enhanced and preserved by the use of an appropriate coating process, either transparent, such as varnish or opaque, like paint. The finish coats may also help seal the surface, reducing the adverse effects of humidity or sunlight. Other pieces may benefit from the use of unsealed, weathered material such as barn wood or driftwood.

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Famous quotes containing the word finishing:

    Tailor’s work—the finishing of men’s outside garments—was the “trade” learned most frequently by women in [the 1820s and 1830s], and one or more of my older sisters worked at it; I think it must have been at home, for I somehow or somewhere got the idea, while I was a small child, that the chief end of woman was to make clothing for mankind.
    Lucy Larcom (1824–1893)

    When the finishing stroke was put to his work, it suddenly expanded before the eyes of the astonished artist into the fairest of all the creations of Brahma. He had made a new system in making a staff, a world with full and fair proportions; in which, though the old cities and dynasties had passed away, fairer and more glorious ones had taken their places.
    Henry David Thoreau (1817–1862)

    Finishing second in the Olympics gets you silver. Finishing second in politics gets you oblivion.
    Richard M. Nixon (b. 1913)