Women In Speculative Fiction
Women have always been represented among science fiction writers and fans. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish, the Duchess of Newcastle, publishing the first, The Blazing World, in the 17th century. In fantasy, the rich heritage of myth, religion and folktales emerged from oral cultures transmitted by both men and women. Early published fantasy was written by and for both genders – for example gothic romances, ghost stories, and similar stories. Other examples of speculative fiction include utopias and surreal fiction, both of which, again, were written and enjoyed by women as well as men. However, genre science fiction in particular has traditionally been viewed as a genre orientated toward a male readership.
Read more about Women In Speculative Fiction: Writers and Professionals, Fans, Gender, Influence of Political Movements
Famous quotes containing the words women in, women and/or fiction:
“There are women in middle life, whose days are crowded with practical duties, physical strain, and moral responsibility ... they fail to see that some use of the mind, in solid reading or in study, would refresh them by its contrast with carking cares, and would prepare interest and pleasure for their later years. Such women often sink into depression, as their cares fall away from them, and many even become insane. They are mentally starved to death.”
—Ellen Henrietta Swallow Richards (1842–1911)
“The city is always recruited from the country. The men in cities who are the centres of energy, the driving-wheels of trade, politics or practical arts, and the women of beauty and genius, are the children or grandchildren of farmers, and are spending the energies which their fathers’ hardy, silent life accumulated in frosty furrows in poverty, necessity and darkness.”
—Ralph Waldo Emerson (1803–1882)
“We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.”
—Daniel Easterman (b. 1949)