Wolverine (comics) - Publication History

Publication History

Wolverine first appeared in the final "teaser" panel of The Incredible Hulk #180 (cover date October 1974) written by Len Wein and penciled by Herb Trimpe. The character then appeared in a number of advertisements in various Marvel Comics publications before making his first major appearance in The Incredible Hulk #181 (cover date November 1974) again by Wein and Trimpe. John Romita, Sr., designed Wolverine's yellow-and-blue costume. The character's introduction was ambiguous, revealing little beyond his being a superhuman agent of the Canadian government. In these appearances, he does not retract his claws, although Len Wein stated they had always been envisioned as retractable. He appears briefly in the finale to this story in The Incredible Hulk #182.

Wolverine's next appearance was in 1975's Giant-Size X-Men #1, written by Wein and penciled by Dave Cockrum, in which Wolverine is recruited for a new squad. Gil Kane illustrated the cover artwork but incorrectly drew Wolverine's mask with larger headpieces. Dave Cockrum liked Kane's accidental alteration (believing it to be similar to Batman's mask) and incorporated it into his own artwork for the actual story. Cockrum was also the first artist to draw Wolverine without his mask, and the distinctive hairstyle became a trademark of the character.

A revival of X-Men followed, beginning with X-Men #94 (August 1975), drawn by Cockrum and written by Chris Claremont. In X-Men and Uncanny X-Men, Wolverine is initially overshadowed by the other characters, although he does create tension in the team as he is attracted to Cyclops' girlfriend, Jean Grey. As the series progressed, Claremont and Cockrum (who preferred Nightcrawler) considered dropping Wolverine from the series; Cockrum's successor, artist John Byrne, championed the character, later explaining, as a Canadian himself, he did not want to see a Canadian character dropped. Byrne created Alpha Flight, a group of Canadian superheroes who try to recapture Wolverine due to the expense their government incurred training him. Later stories gradually establish Wolverine's murky past and unstable nature, which he battles to keep in check. Byrne also designed a new brown-and-tan costume for Wolverine, but retained the distinctive Cockrum cowl.

Following Byrne's departure, Wolverine remained in X-Men. The character's growing popularity led to a solo, four-issue, Wolverine (September – December 1982), by Claremont and Frank Miller, followed by the six-issue Kitty Pryde and Wolverine by Claremont and Al Milgrom (November 1984 – April 1985). Marvel launched an ongoing solo book written by Claremont with art by John Buscema in November 1988. It ran for 189 issues. Larry Hama later took over the series and had an extensive run. Other writers who wrote for the two Wolverine ongoing series include Peter David, Archie Goodwin, Erik Larsen, Frank Tieri, Greg Rucka, and Mark Millar. Many artists have also worked on the series, including John Byrne, Marc Silvestri, Mark Texeira, Adam Kubert, Leinil Francis Yu, Rob Liefeld, Sean Chen, Darick Robertson, John Romita, Jr., and Humberto Ramos. During the 1990s, the character was revealed to have bone claws, after his adamantium is ripped out by Magneto in X-Men #25, which was inspired by a passing joke of Peter David's.

In addition to the Wolverine series and appearances in the various X-Men series, two other storylines expand upon the character's past: "Weapon X", by writer-artist Barry Windsor-Smith, serialized in Marvel Comics Presents #72-84 (1991); and Origin, a six-issue limited series by co-writers Joe Quesada, Paul Jenkins, and Bill Jemas and artist Andy Kubert (November 2001 – July 2002). A second solo series, Wolverine: Origins, written by Daniel Way with art by Steve Dillon, spun off of, and runs concurrently with, the second Wolverine solo series.