After His Death
Soon after Wolfgang's death many churches chose him as their patron saint, and various towns were named after him.
In Christian art he has been especially honoured by the great medieval Tyrolean painter, Michael Pacher (1430–1498), who created an imperishable memorial to him, the high altar of St. Wolfgang. In the panel pictures which are now exhibited in the Old Pinakothek at Munich are depicted in an artistic manner the chief events in the saint's life.
The oldest portrait of Saint Wolfgang is a miniature, painted about the year 1100 in the celebrated Evangeliary of St. Emmeram, now in the library of the castle cathedral at Kraków.
A fine modern picture by Schwind is in the Schack Gallery at Munich. This painting represents the legend of Wolfgang forcing the devil to help him to build a church.
In other paintings he is generally depicted in episcopal dress, an axe in the right hand and the crozier in the left, or as a hermit in the wilderness being discovered by a hunter.
The axe refers to an incident in the life of the saint. After having selected a solitary spot in the wilderness, he prayed and then threw his axe into the thicket; the spot on which the axe fell he regarded as the place where God intended he should build his cell. This axe is still shown in the little market town of St. Wolfgang which sprang up on the spot of the old cell.
St. Wolfgang is sometimes counted among the Fourteen Holy Helpers
Read more about this topic: Wolfgang Of Regensburg
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“Night is a dead monotonous period under a roof; but in the open world it passes lightly, with its stars and dews and perfumes, and the hours are marked by changes in the face of Nature. What seems a kind of temporal death to people choked between walls and curtains, is only a light and living slumber to the man who sleeps afield.”
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