Wingy Manone - Biography

Biography

Manone (pronounced "ma-KNOWN") was born Joseph Matthews Mannone in New Orleans, Louisiana. He lost an arm in a streetcar accident, which resulted in his nickname of "Wingy". He used a prosthesis, so naturally and unnoticeably that his disability was not apparent to the public.

After playing trumpet and cornet professionally with various bands in his home town, he began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, Alabama, California, St. Louis, Missouri and other locations; he continued to travel widely throughout the United States and Canada for decades.

Wingy Manone's style was similar to that of fellow New Orleans trumpeter Louis Prima: hot jazz with trumpet leads, punctuated by good-natured spoken patter in a pleasantly gravelly voice. Manone was an esteemed musician who was frequently recruited for recording sessions. He played on some early Benny Goodman records, for example, and fronted various pickup groups under pseudonyms like "The Cellar Boys" and "Barbecue Joe and His Hot Dogs." His hit records included "Tar Paper Stomp" (an original riff composition of 1929, later used as the basis for Glenn Miller's "In the Mood"), and a hot 1934 version of a sweet ballad of the time "The Isle of Capri", which was said to have annoyed the songwriters despite the royalties it earned them.

Manone's group, like other bands, often recorded alternate versions of songs during the same sessions; Manone's vocals would be used for the American, Canadian, and British releases, and strictly instrumental versions would be intended for the international, non-English-speaking markets. Thus there is more than one version of many Wingy Manone hits. Among his better records are "There'll Come a Time (Wait and See)" (1934, also known as "San Antonio Stomp"), "Send Me" (1936), and the novelty hit "The Broken Record" (1936). He and his band did regular recording and radio work through the 1930s, and appeared with Bing Crosby in the movie Rhythm on the River in 1940.

In 1943 he recorded several tunes as "Wingy Manone and His Cats"; that same year he performed in Soundies movie musicals. One of his Soundies reprised his recent hit "Rhythm on the River."

Wingy Manone's autobiography, Trumpet on the Wing, was published in 1948.

From the 1950s he was based mostly in California and Las Vegas, Nevada, although he also toured through the United States, Canada, and parts of Europe to appear at jazz festivals. In 1957, he attempted to break into the teenage rock-and-roll market with his version of Party Doll, the Buddy Knox hit. His version on Decca 30211 made No. 56 on Billboard's Pop chart and it received a UK release on Brunswick 05655.

Wingy Manone's compositions include "There'll Come a Time (Wait and See)" with Miff Mole (1928), "Tar Paper Stomp" (1930), "Tailgate Ramble" with Johnny Mercer, "Stop the War (The Cats Are Killin' Themselves)" (1941), "Trying to Stop My Crying", "Downright Disgusted Blues" with Bud Freeman, "Swing Out" with Ben Pollack, "Send Me", "Nickel in the Slot" with Irving Mills, "Jumpy Nerves," "Mannone Blues," "Easy Like," "Strange Blues", "Swingin' at the Hickory House," "No Calling Card," "Where's the Waiter?," "Walkin' the Streets (Till My Baby Comes Home)," and "Fare Thee Well (Annabelle)". In 2008, "There'll Come a Time (Wait and See)" was used in the soundtrack to the Academy Award-nominated movie The Curious Case of Benjamin Button.

Manone is survived by his son Joseph Matthew Manone II and grandson Jimmy Manone, who are both musicians, as well as grandsons Joseph Matthew Manone III and Jon Scott (Manone) Harris.

Read more about this topic:  Wingy Manone

Famous quotes containing the word biography:

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)