A wind quintet, also sometimes known as a woodwind quintet, is a group of five wind players (most commonly flute, oboe, clarinet, horn and bassoon). The term also applies to a composition for such a group.
Unlike the string quartet with its homogeneous blend of color, the instruments in a wind quintet differ from each other considerably in technique, idiom, and timbre. The modern wind quintet sprang from the ensemble favored in the court of Joseph II in late 18th century Vienna: two oboes, two clarinets, two horns, and two bassoons (Suppan 2001). The influence of Haydn's chamber writing suggested similar possibilities for winds, and advancements in the building of these instruments in that period made them more useful in small ensemble settings, leading composers to attempt smaller combinations.
It was Anton Reicha's twenty-four quintets, begun in 1811, and the nine quintets of Franz Danzi that established the genre, and their pieces are still standards of the repertoire. Though the form fell out of favor in the latter half of the 19th century, there has been renewed interest in the form by leading composers in the 20th century, and today the wind quintet is a standard chamber ensemble, valued for its versatility and variety of tone color.
Read more about Wind Quintet: Wind Quintet Composers, Notable Wind-quintet Repertoire, Prominent Wind Quintets, Sources, Further Reading
Famous quotes containing the word wind:
“When the wind carries a cry which is meaningful to human ears, it is simpler to believe the wind shares with us some part of the emotion of Being than that the mysteries of a hurricanes rising murmur reduce to no more than the random collision of insensate molecules.”
—Norman Mailer (b. 1923)