Combined Cadet Force
Pupils of the school in their second year are currently required to serve in the College's Combined Cadet Force.
The organisation was founded in 1860 as "The Winchester College Rifle Volunteer Corps" by various boys in their top year as a result of the perceived threat of Napoleon III after the Orsini plot, and remained entirely autonomous until it was taken over by the Second Master in 1868; It was enrolled as a Cadet Corps in the 1st Hants Volunteer Battalion. In 1908, the Officer Training Corps was established, and by 1914, through the request of the War Office that Senior Cadets be given appropriate training for the war effort, almost every student became involved in the Corps, though it was never explicitly compulsory. In the Second World War, it was renamed as "The Junior Training Corps",though its function was still to prepare boys for Officer responsibilities. Montgomery remarked on inspecting the Corps in 1946 that there was "latent leadership in all ranks". In 1948, the "Junior Training Corps" became known as the "Combined Cadet Force" (CCF) which incorporated RAF and RN sections. In 1963, "Alternative Service Activities" were introduced for boys who did not want to join the CCF. Pupils were made eligible to opt out of the CCF at the end of their second year after starting at the beginning of the year: this is still the school's policy. In 2010, Winchester's Combined Cadet Force received the Queen's Colours, a regimental decoration.
Read more about this topic: Winchester College
Famous quotes containing the words combined and/or force:
“The real accomplishment of modern science and technology consists in taking ordinary men, informing them narrowly and deeply and then, through appropriate organization, arranging to have their knowledge combined with that of other specialized but equally ordinary men. This dispenses with the need for genius. The resulting performance, though less inspiring, is far more predictable.”
—John Kenneth Galbraith (b. 1908)
“The difference between a photograph and even the most realistic painting—say, one of Courbet’s landscapes—is that in the latter there has been selection, emphasis and some discreet distortion. The painter’s deep instinctive feeling for mass and force has rearranged everything.”
—Gerald Branan (1894–1987)