Rise To Stardom: in The Midnight Hour (1965)
Pickett's Atlantic career began with a self-produced single, "I'm Gonna Cry". Looking to boost Pickett's chart chances, Atlantic next paired him with record producer Bert Berns and established songwriters Barry Mann and Cynthia Weil. With this team, Pickett recorded "Come Home Baby," a duet with singer Tami Lynn, but this single failed to chart.
Pickett's breakthrough came at Stax Records' recording studio in Memphis, Tennessee, where he recorded his third Atlantic single, "In the Midnight Hour" (1965). This song became Pickett's first big hit, peaking at #1 R&B, #21 pop (US), and #12 (UK). It sold over one million copies, and was awarded a gold disc.
The genesis of "In the Midnight Hour" was a recording session on May 12, 1965, at which Wexler worked out a powerful rhythm track with studio musicians Steve Cropper and Al Jackson of the Stax Records house band, which also included bassist Donald "Duck" Dunn. (Stax keyboard player Booker T. Jones, who usually played with Dunn, Cropper and Jackson as Booker T. & the M.G.'s, did not play on any of the Pickett studio sessions.) Wexler said to Cropper and Jackson, "Why don't you pick up on this thing here?" He performed a dance step. Cropper later explained in an interview that Wexler told them that "this was the way the kids were dancing; they were putting the accent on two. Basically, we'd been one-beat-accenters with an afterbeat; it was like 'boom dah,' but here this was a thing that went 'um-chaw,' just the reverse as far as the accent goes."
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Famous quotes containing the words rise, midnight and/or hour:
“... the French know that you must not succeed you must rise from the ashes and how could you rise from the ashes if there were no ashes, but the Germans never think of ashes and so when there are ashes there is no rising, not at all and every day and in every way this is clearer and clearer.”
—Gertrude Stein (1874–1946)
“Such as the wreck of the Hesperus,
In the midnight and the snow!
Christ save us all from a death like this,
On the reef of Norman’s Woe!”
—Henry Wadsworth Longfellow (1809–1882)
“The day was ending at it was the hour of which I do not want to speak, the hour without a name, when the sounds of evening ascended from all the floors of the prison in a procession of silence.”
—Albert Camus (1913–1960)