Designs
In 1834 he modelled the head of Princess Victoria, who was 15 years of age at the time. This work was subsequently used for the City Medal struck in 1837 to celebrate Victoria's first visit to the City of London after her accession to the throne and another medal also issued in 1837 commemorating her visit to the Guildhall.
The name of William Wyon is well known among coin and medal collectors because of his prodigious output and artistic skill. He designed “The Young Head”, which graced Victoria’s coinage from 1838 to 1860 on the pennies and the rest of the coinage until 1887. He also designed the Naval General Service Medal, of which 20,933 were issued. Notable among his medallic work are the obverse designs for the prize, juror and other medals for The Great Exhibition at Crystal Palace in 1851, the year of his death.
Wyon's City Medal was the model for the head on the line-engraved postage stamps of 1840-79, beginning with the Penny Black, the world's first adhesive postage stamp, the embossed stamps of 1847-54 and the postal stationery 1841-1901. The primary die used for the embossed issue was engraved by Wyon; the 1s and 10d stamps have the initials "ww" along with the die number at the base of the neck. His design also influenced the surface-printed stamps first printed in 1855.
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Famous quotes containing the word designs:
“I have no scheme about it,—no designs on men at all; and, if I had, my mode would be to tempt them with the fruit, and not with the manure. To what end do I lead a simple life at all, pray? That I may teach others to simplify their lives?—and so all our lives be simplified merely, like an algebraic formula? Or not, rather, that I may make use of the ground I have cleared, to live more worthily and profitably?”
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“He began therefore to invest the fortress of my heart by a circumvallation of distant bows and respectful looks; he then entrenched his forces in the deep caution of never uttering an unguarded word or syllable. His designs being yet covered, he played off from several quarters a large battery of compliments. But here he found a repulse from the enemy by an absolute rejection of such fulsome praise, and this forced him back again close into his former trenches.”
—Sarah Fielding (1710–1768)