William Ware Theiss - Career

Career

Following six months at Revue/Universal Studios as an apprentice artist in the Advertising Art Department, Theiss worked at CBS in the Wardrobe Department on two televised soap operas. The film The Pink Panther was his first as a designer, although he is credited as "wardrobe consultant". He returned to television as a wardrobe man for shows including Hollywood Palace, My Favorite Martian, and The Farmer's Daughter. In autumn 1964 he was costume designer for “The World of Ray Bradbury" on stage. In 1964 his friend Dorothy Fontana brought him to the attention of Gene Roddenberry, who then hired Theiss as costume designer for Star Trek. In the 1970s and early 80s he designed costumes for at least a dozen TV movies, including Genesis II and The B.R.A.T. Patrol, as well as for over a dozen motion pictures, including three Academy Award for Costume Design nominations for 1976's Bound for Glory, 1979's Butch and Sundance: The Early Days, and 1983's Heart Like a Wheel. His final credit was as costume designer for Star Trek: The Next Generation, for which he won an Emmy Award for Outstanding Costume Design for a Series for the episode The Big Goodbye.

Read more about this topic:  William Ware Theiss

Famous quotes containing the word career:

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)