William Peter Blatty - Career

Career

In the 1950s, Blatty worked as the public relations director at Loyola University of Los Angeles and as the Director of Publicity at the University of Southern California. Blatty later wrote an article published in the Saturday Evening Post about meeting movie stars in Hollywood while posing as "Prince Xeer", a fictitious blacksheep son of King Saud of Saudi Arabia. To promote his first book, Which Way to Mecca, Jack?, Blatty was a contestant on the Groucho Marx quiz show You Bet Your Life, winning $10,000: enough money to enable him to quit his job and write full-time.

In 1960, Blatty published Which Way to Mecca, Jack?, which dealt humorously with both his early life and his work at the United States Information Agency in Lebanon. He then published the comic novels John Goldfarb, Please Come Home (1963), I, Billy Shakespeare (1965), and Twinkle, Twinkle, "Killer" Kane (1966). Though he achieved great critical success with these books — Marvin Levin in the New York Times, for example, led off a review with "Nobody can write funnier lines than William Peter Blatty, a gifted virtuoso who writes like (S.J.) Perelman", sales and commercial acceptance were lacking.

It was at this point that Blatty began a fruitful collaboration with director Blake Edwards, writing scripts for comedy films such as A Shot in the Dark (1964), What Did You Do in the War, Daddy? (1966), Gunn (1967), and Darling Lili (1970), a musical starring Julie Andrews and Rock Hudson. Without Edwards, Blatty also worked on comedy screenplays as "Bill Blatty", two such credits being the Danny Kaye film The Man from the Diner's Club (1963) and the Warren Beatty-Leslie Caron film "Promise Her Anything" (1965). Others were the film adaptation of John Goldfarb, Please Come Home! (1965), and The Great Bank Robbery (1969).

Later Blatty resumed novel writing. Allegedly retiring to a remote and rented chalet in woodland off Lake Tahoe, Blatty wrote The Exorcist, a story about a twelve-year-old girl being possessed by a powerful demon, that remained on the New York Times bestseller list for 57 straight weeks and at the Number One spot for 17 of them. It would eventually be translated by himself and director William Friedkin into one of the most famous and controversial mainstream horror movies of all time. According to Blatty, Friedkin edited the film in a New York Fifth Avenue office building with the number 666. Blatty would go on to win an Academy Award for his Exorcist screenplay, as well as Golden Globes for Best Picture (he produced the film) and Best Writing. He has made the claim that in its first weeks of publication, The Exorcist novel, despite excellent reviews and much advertising by the publisher, Harper and Row, was deemed a failure and was being returned by bookstores by "the carload" until what he calls "an extraordinary intervention by Fate" which he refuses to describe.

In 1978, Blatty adapted his novel Twinkle, Twinkle, "Killer" Kane! into the retitled The Ninth Configuration; and in 1980 he wrote, directed, and produced a film version. A meditation on God's existence described by one critic as "The Marx Brothers Meets Spellbound" and greeted as a "masterpiece" by The Cincinnati Post and "the finest large-scale American surrealist film ever made" by Peter Travers in People magazine, the film, nevertheless, was a commercial flop. It has since acquired a rather sizable cult following. In 1981 it was nominated for three Golden Globes, among them Best Picture, and won the Best Writing Award against competition that included The Elephant Man (1980), Ordinary People (1980), and Raging Bull (1980).

In 1983, he wrote a novel called Legion, a sequel to The Exorcist which later became the basis of the film The Exorcist III. Blatty originally wanted the movie version to be titled Legion but the film producers wanted it to be more closely linked to the original. The first sequel, Exorcist II: The Heretic (1977) was disappointing both critically and commercially. Blatty had no involvement in this first sequel and his own follow-up ignored it entirely.

Blatty's autobiography is titled I'll Tell Them I Remember You (1974). A short critical essay on Blatty's work can be found in S. T. Joshi's book The Modern Weird Tale: A Critique of Horror Fiction (2001). Essays studying all Blatty's novels can be found in Benjamin Szumskyj's American Exorcist: Critical Essays on William Peter Blatty (McFarland, 2008).

Blatty's latest works are the novels Elsewhere (2009), Dimiter (2010) and Crazy (2010). He is also set to be featured in the upcoming 2011 Smoke And Mirrors anthology, featuring the teleplay "Hell Hospital" and the treatment "Faith". According to Blatty, in his June 30 interview with "Authors on Tour", director William Friedkin has also set out to make Dimiter a feature film, marking their first collaboration in almost 40 years.

On September 27, 2011, The Exorcist was re-released as a 40th Anniversary Edition in paperback, hardcover and audiobook editions with differing cover artwork. This new, updated edition featured new and revised material: "The 40th Anniversary Edition of The Exorcist will have a touch of new material in it as part of an all-around polish of the dialogue and prose. First time around I never had the time (meaning the funds) to do a second draft, and this, finally, is it. With forty years to think about it, a few little changes were inevitable -- plus one new character in a totally new very spooky scene. This is the version I would like to be remembered for."