William Mulready - Artistic Career

Artistic Career

Many of his early pictures show landscapes, before he started to build a reputation as a genre painter from 1808 on, painting mostly everyday scenes from rural life. Besides this, he also illustrated books, including the first edition of Charles and Mary Lamb's Tales from Shakespeare in 1807. His paintings were very popular in Victorian times. His first painting of importance, Returning from the Ale House, now in the Tate Gallery, London, under the title Fair Time, appeared in 1809.

In 1815 he became an Associate of the Royal Academy (A.R.A.) and R.A. in 1816. In the same year, he also was awarded the French "Légion d'honneur". Mulready's most important pictures are in the Victoria and Albert Museum and in the Tate Gallery. In the former are 33, among them Hampstead Heath (1806); Giving a Bite (1836); First Love (1839); The Sonnet (1839); Choosing the Wedding Gown (1846); and The Butt (Shooting a Cherry) (1848). In the latter are five, including a Snow Scene. In the National Gallery, Dublin, are Young Brother and The Toy Seller. His Wolf and the Lamb is in Royal possession.

In 1840, Mulready designed the illustrations for the postal stationery, known as Mulready stationery were introduced by the royal Mail at the same time as the Penny Black in May 1840, They were issued in two forms; one variant was precut to a diamond or lozenge shape and folded to form an envelope that could be held together by seal at the apex of the topmost flap; and lettersheets that were cut in rectangles, folded over and sealed or tucked in.

Stationery manufacturers, whose livelihood was threatened by the new lettersheet, produced many caricatures (or lampoons) of Mulready's design. Only six days after their introduction, on May 12, Rowland Hill wrote that; I fear we shall have to substitute some other stamp for that design by Mulready ... the public have shown their disregard and even distaste for beauty, and within two months a decision had been made to replace the Mulready designed stationery. Essentially Mulready's designs were a folly.

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